By: Bradley Loves

There are things that you just DON’T want to know!

However…, these people are running for public office and WANT to be YOUR LEADERS!

They are out there.    They are NOT hidden however from those of us who can “see”…


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Simple.    Innocuous!   Who could possibly think it held much darker meanings??

The Music Industry’s deviant obsession with SEX MAGIC!

Above is the Red Hot Chili Peppers album cover on SEX MAGICK – and three devil tongues licking at a RED ROSE!

Or…, is it a “Rosebud” ?

Well…, in sexual terms…, what is a ROSEBUD??

The Rosicrucians are known as the:


Above you can find the cross of the Rosicrucians!

Then below, there is this same cross found in a Rosicrucian Book of Alchemy and WitchCraft:

Next, we have an image of the CROSS that is used by the Church of Scientology!  It is the same cross as the Rosicrucians!


What Books did Aleister Crowley write concerning SEX MAGICK RITUALS??

Did Aleister Crowley think that ANAL SEX was a special form of SEX MAGICK and could bring forth GREAT power???

Why do Satanists NEED to rape little boys and girls analy???

See the next article written by Tracy Twyman

Taken from here:

I wrote in my recent article how I felt that David Bowie may been the product of such a sex magick ritual, and Marilyn Manson’s girlfriend Evan Rachel Wood got tattooed with her own version of the Eat Me Drink Me Heart that included the lightning bolt as an homage to David Bowie. Note that Harry Potter, a fictional “magical child,” sports the lightning bolt as a symbol of his unusual conception.

Now let’s return to the Coil song mentioned above. The comparison in “Love’s Secret Domain” of the heart to a rose is not an uncommon one. But considering that we are dealing with a song apparently written to celebrate gay pedophilic sex magick rituals, perhaps we should look deeper. An acquaintance on Facebook recently pointed out a correlation between the symbol of the rose and an overly-abused, prolapsed anus. He wrote:

When a Prolapse occurs it’s known as “a Rosebud.” … Then [there is the] sexual fetish known as “Prolapse Party'[which involves] Women pushing their own ‘rosebuds’ then getting them licked for orgasmic pleasure.

He brought it up to point out what he thought was the meaning of the cover art for the Red Hot Chili Peppers’ album Blood Sugar Sex Magik:


Indeed this subject is covered in the Wikipedia article on Rectal Prolapse:

“Rosebudding” is so called as the appearance of the exposed rectum is said to resemble rosebud flowers. Rosebud pornography, rosebudding or rectal prolapse pornography refers to an anal sex practice which occurs in some extreme anal pornography whereby a pornograhic actor or actress performs a rectal prolapse whereby the walls of the rectum slip out of the anus. A rectal prolapse is a serious medical condition that requires the attention of a medical professional. However, in rosebud pornography it is performed deliberately. Michelle Lhooq, writing for VICE, argues that rosebudding is an example of producers making ‘extreme’ content due to the easy availability of free pornography on the internet. She also argues that rosebudding is a way for pornographic actors and actresses to distinguish themselves. Repeated rectal prolapses can cause bowel problems and anal leakage and therefore risk the health of pornographic actors or actresses who participate in them. Lhooq also argues that some who participate in this form of pornography are unaware of the consequences.

For an extreme example of what can happen, read “9/11 terror suspect returns to Guantanamo Bay after being allowed out for surgery to treat rectal injury ‘from when he was sodomized by the CIA during interrogation’” from The Daily Mail, October 17, 2016.

So we have it now established that this Hermetic symbol of the rose can, in a certain context, indicate the anus.

We also know that Crowley-affiliated groups like the OTO, which were influenced by Rosicrucianism, believe that artificial people can be magically engendered and born from a person’s anus.

The video from P.R. Koenig even claims that this is THE BIG secret of the Rosicrucians, and of the Templars too. Now let’s have another look at the image that went along with William Blake’s poem “The Sick Rose”:


Yes, there is a person emerging from the rosebud.

I wonder what that means!

It certainly brings a new interpretation to that mysterious final scene from Citizen Kane!

Definitely a similar comparison is made by the band Coil between the anus and the symbol of the Black Sun on the cover for their album Scatology

Coil's Scatology: Clearly correlating Satan, sodomy, and the Black Sun presented as an anus!
Coil’s Scatology: Clearly correlating Satan, sodomy, and the Black Sun presented as an anus!

On a related note, the reviewer here at Heathen Harvest makes some interesting observations about the song “Ostia (The Death of Pasolini)” from the Coil album Horse Rotovator:

“Ostia (The Death of Pasolini)” tells the story of the 1975 murder of noted Italian filmmaker and antifascist agitator Pier Paolo Pasolini at the hands of a young male prostitute in the Italian coastal city of Ostia. The seventeen-year-old boy had run over Pasolini’s body with his own car after crushing his testicles with a bar and setting his body on fire.

The lyrics of “Ostia” suggest an interesting perspective on the implications of Pasolini’s murder. The song seems to suggest an almost esoteric metaphysical inevitability in his doom. It is almost as if the filmmaker might be considered a sacrifice, as suggested by lines such as “Killed to keep the world turning” and:

“Leon like a lion
Sleeping in the Sunshine.
Lion lies down
Out of the strong came forth sweetness”

The imagery of honey, sweetness, and death is common in Coil’s early work. It manifests visually in the “Tainted Love” video as Balance traps and suffocates flies in honey. Sweetness which carries death is not a challenging symbol to untangle in light of how sexual pleasure could quite easily equal death for gays and bisexuals in the era. Here, the line of “out of the strong came forth sweetness” is a reference to the biblical scripture Judges 14:14, which is known as “Samson’s Riddle.” In the story, Samson kills a lion and, after some time, returns to the decaying corpse to find it has been colonized by bees who have built a thriving hive. The dead lion is literally seeping with honey–a grotesque and powerful image.

This image of the lion corpse with the evocative slogan “Out of the strong, came forth sweetness” would be quite well-known to any young English boy. It is the image on the tin of Lyle’s Golden Syrup. The image is even carved in marble on the exterior of the factory in Tate & Lyle’s Plaistow Wharf location. It may also merit mentioning that honey syrup has been cited as a lubricant for fisting and anal play, especially in the days before silicone-based lubricants were common and knowledge of spermicide as an HIV antagonist was known. As a result, honey carries yet another implication true to form with Coil’s tendency to play on multiple levels.


This is also a reference to the ancient sacrificial practice of “Bugonia,” which purportedly was done to entice bees to form their nests inside of the carcass of the sacrificed animal so that they could be released dramatically in yet another ritual. We can read about it in the 10th-century Geoponica compiled in Constantinople:

Build a house, ten cubits high, with all the sides of equal dimensions, with one door, and four windows, one on each side; put an ox into it, thirty months old, very fat and fleshy; let a number of young men kill him by beating him violently with clubs, so as to mangle both flesh and bones, but taking care not to shed any blood; let all the orifices, mouth, eyes, nose etc. be stopped up with clean and fine linen, impregnated with pitch; let a quantity of thyme be strewed under the reclining animal, and then let windows and doors be closed and covered with a thick coating of clay, to prevent the access of air or wind. After three weeks have passed, let the house be opened, and let light and fresh air get access to it, except from the side from which the wind blows strongest. Eleven days afterwards, you will find the house full of bees, hanging together in clusters, and nothing left of the ox but horns, bones and hair.

The Wikipedia article also suggests that the Egyptian version of this ritual, involving a bull’s head, may be the link between the name of their bull-deity, Apis, and the identical word being used in Latin to denote bees.

Now recall also the presence of a plastic honey bear filled with honey oozing all over the thighs of the man having sex with pizza on the Alefantis-related Instagram post shown above. Finally, note the use of bees and honey in a variety of esoteric symbol sets, such as the frontispiece to Joachim Frizius’s Summum Bonum. The Latin means “The Rose Gives Honey to the Bees.”

The Rose Gives Honey to the Bees–From Joachim Frizius’s Summum Bonum

So what is the honey? Semen, blood, or something more obscure? Let us return once again to William Blake, and a book about his work called Blake and Tradition by Kathleen Raine. Analyzing his story of Lyca in The Marriage of Heaven and Hell, she writes:

Blake would have been familiar, from Taylor’s Porphyry, with the view that it is pleasure which draws souls downward to generation. The goddess Night advises Jupiter to make use of honey as an artifice to ensnare the god Saturn.

When stretch’d beneath the lofty oaks you view
Saturn, with honey by the bees produced,
sunk in ebriety, fast bind the God.

…The theologists obscurely signifying by this that divine natures become through pleasure bound and drawn down into the realms of generation. This pleasure, symbolized as honey, is ‘the pleasure arising from copulation.’ … the irresistible desire of sexual pleasure through which the ‘moist’ soul comes to drink the honeyed cup of generation.

Throughout this entire essay I have revealed a number of symbols, some of them treasured as concealing great spiritual mysteries in the Hermetic traditions of Western occultism, which all seem to be related to the ideas of raping children, consuming human flesh, and using the bodies of victims both dead and alive to breed supernatural entities: golems, homunculi, and many other things. As I mentioned in my article Killing God to Become God, the souls that are incarnated in these rites are ensnared by the magicians performing them, seduced into coming into our world and then trapped inside of a carnal container of some sort. Symbols for this ensnarement have included butterfly nets and spider webs, with the soul symbolized as a butterfly that gets caught.

The paragraph above quoted from Kathleen Raine indicates that the pleasure of copulation is what attracts the souls that incarnate in human and animal bodies. This goes along with what you find in The Tibetan Book of the Dead, written to instruct a deceased soul trying to find release from the cycle of incarnation. It warns that the soul will feel the need to “find a body,” and will come across couples having sex, but must resist the natural attraction to join with them, because this will lead to another incarnation.

It stands to reason then that if one is trying to ensnare the soul of a divine intelligence, one needs to use extraordinary enticements. The quote above from Thomas Taylor’s Porphyry refers to the Roman myth, based upon the Greek, that Saturn/Chronos was usurped by his son Zeus/Jupiter when the latter, posing as his “cupbearer,” gave him poison to drink. Taylor calls it “honey,” and implies that by offering it, Jupiter seduced Saturn down from his lofty throne as king of the gods, made him drunk with it, and then bound him.

[As an interesting aside, note that the slogan for the Canadian town of Tisdale was, until recently, “The Land of Rape and Honey” (referring to rapeseed), and this is what inspired an album of the same name by the industrial music group Ministry.]

In other versions of the myth, there is a lengthy war between their two factions before Saturn is subdued and imprisoned. But the “poisoned cup” incident is the beginning of the war. When he consumed the poison, Saturn vomited out the children he had eaten, all of Jupiter’s siblings, who then joined him on the battlefield against his cannibal father. But as I have pointed out in previous articles, the term “cupbearer” was a term for a royal child sex slave. Jupiter had a penchant for boys, and it is likely his father did as well. This is a story of using the offer of sodomy with a young boy to entice the Most High God down from his throne, so that he can be imprisoned, and his position taken over.

I think that the use of the symbols I have mentioned, in the contexts which I have described, indicates that there is still an occult tradition in certain circles regarding this. There are people who think that this is the way to dethrone God. They think that the gods above are as sick as they are, and therefore they will be attracted most not by mere heterosexual encounters, but by the abnormal and perverse. As the Templar artifacts of Hammer-Purgstall’s Mysterium Baphometis Revelatum illustrate, this is why the Templars ritualized the sodomy and sacrifice of young boys. On several of the artifacts, he found a phrase encoded on them: “The Distinguished Charity of Mete Uproots the Enemy.”

The one called “Mete” is the Templars’ secret wisdom god, Baphomet. The “Distinguished Charity” could also be phrased “Peculiar–or Strange–Love.” This “Strange Love” or “Mad Love” is signified by many other things in Western occultism, roses, honey, and now, via Marilyn Manson’s use of pedophile symbolism, a spiral heart can be added to the list. The “Enemy” that it uproots is none other than the Demiurge of the Ophite Gnostics: the god and creator of this world. The idea is that ultimately you must not only fuck, but also kill and eat, the things you love in order to become one with them, as even God (they believe) does this to his own children.

As I explained in previous articles, such as thisthisthis, and this, I believe these things are all part of a process of trying to upset the balance of the “pillars” that uphold our current state of existence, allowing them to collapse so that the universe we live in might be destroyed. When the innocent body of a human child, the image of God, is defiled in rites such as this, it creates a reflexive reaction that affects the magnetic polarity of the Earth and upsets the tectonic plates beneath us.

It is hard for even the good people of this Earth to stop this process when we are all, to a greater or lesser degree, being seduced by the same type of perversions.

Even if we have never done the worst of these things, we have participated gleefully in a culture that celebrates it.

Perhaps this was the year that the Pope asked us to pray for God’s mercy because this was the year in which the fullness of our sins was revealed to us. I wonder if there are enough righteous people among us to earn God’s mercy, or if we shall all inevitably perish in the wages of our own sins.

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